Having directed and produced such shows as Jack Ryan, Hunters, For All Mankind, Hell On Wheels, Legion, Waco, Goliath, and frankly too many others films and shows to count…Dennie Gordon is no stranger to working with giant crews on massive sets. Having also directed a feature film in China during the SARS outbreak, I think it’s safe to say that Dennie knows something about keeping her crew members safe despite the risks.
And not more than 2 minutes into our interview, Dennie rolled the following grenade into the middle of the room:
“I think the cameras are going to start rolling again when there’s a vaccine.”
Whoah.
So what does that mean for everyone who’s livelihoods depend on cameras rolling? On needing makeup and hair done, sets to be designed, built, and painted…lights to be set up, focused to be pulled, costumes to be purchased and fitted, and in the case of most of my listeners…footage that needs to be cut.
What’s the plan if cameras don’t roll again until we have a vaccine? And are there alternatives? Will production flee to other states or other countries that are willing to take the risks? Are crew members going to have to choose between unemployment or signing death waivers?
There are a lot of questions right now, and neither I nor Dennie promise to have the answers. But we do our best to discuss all of the various options out there so all of us can make more informed decisions about what comes next.
Dennie Gordon has been a trailblazing female director her entire career; spanning the worlds of feature films, television series, mini-series and branded content. Her range of genre busting entertainment spans an unusual spectrum of comedy and drama.
After being one of the first women to graduate from Yale’s School of Drama with an MFA in Directing, Gordon first gained recognition when A HARD RAIN was chosen by Showtime’s Discovery Program. Thanks to Steven Spielberg, a rough cut of her film attracted the attention of George Lucas who donated the
film’s mix at Skywalker Ranch.
A HARD RAIN, which Gordon also wrote, went on to win dramatic awards at the British Short Film Festival and the Hampton’s Film Festival. This film also caught the eye of David E. Kelley who enlisted Gordon to helm multiple episodes of his television series including GOLIATH, (where she was Co EP) PICKET FENCES, CHICAGO HOPE, ALLY MCBEAL, and THE PRACTICE. Gordon has directed over 100 hours of network television including such critically acclaimed series as LEGION, which was on many critic’s lists as a top 10 show of 2017, with the “astounding direction of Dennie Gordon and her twisted visionary imagery taking the X-Men universe to a whole new level”.
Her other work includes BLOODLINE, RECTIFY, EMPIRE, KINGDOM, POWER, HELL ON WHEELS, GRACE & FRANKIE, THE OFFICE, 30 ROCK, Aaron Sorkin’s SPORTS NIGHT, and HBO’s TRACEY TAKES ON, for which Gordon won the DGA Comedy Award. Gordon recently completed the mini-series WACO, JACK RYAN Season 2 FOR ALL MANKIND for Apple, and THE HUNT starring Al Pacino.
Gordon directed the comedy cult hit JOE DIRT starring David Spade, and Christopher Walken, and WHAT A GIRL WANTS starring Oscar Winner Colin Firth, Dame Eileen Atkins, and Jonathan Pryce. Gordon was the first American woman to direct a film for the domestic Chinese market, called MY LUCKY STAR. The
2013 film starred Oscar nominee Zhang Ziyi and Wang Leehom and was filmed in China and Singapore in the summer of 2012. MY LUCKY STAR was the number one film in China for 4 weeks on 5000 screens.
Gordon is a sought after commercial director having completed campaigns for Honda, Toyota, Tsingtao beer and Xcel energy as well as campaigns with Jimmy Fallon, Betty White, Adam Devine and Don Cheadle. She recently completed a short dramatic film for Huawei, which was shot in Prague. She is repped by Little Minx
and CAA.
Dennie Gordon’s website, Dennie in the L.A. Times article: What’s needed for Hollywood to get back to work safely?
This episode was edited by Curtis Fritsch, and the show notes were prepared and published by Glen McNiel.
The original music in the opening and closing of the show is courtesy of Joe Trapanese (who is quite possibly one of the most talented composers on the face of the planet).
Academy-nominated editor Dody Dorn, ACE shares her insights on mentorship as well as her candid story about transforming her health and her mindset to survive the brutal realities of editing blockbuster films.
Nobody really knows when we're going back to work. In this conversation we speculate on when Hollywood will go back into production…and how we can make money until that time comes.
